A few months ago, I bought a Kindle reader from Amazon and entered the brave new world of ebooks. One of the main reason for this was that I published my debut novel “Love of a Stonemason” as an independent author/publisher and tried it first as an ebook.
Now, I’m not one of those young electronic geeks. I don’t own an ipod or an iphone. I have an old-fashioned Pay-As-You-Go cell phone for emergencies. I have a background in computers but I am much more of a literature lover than a computer freak. However, I instantly fell in love with my Kindle reader. It’s light and small, has a great display, and room for a whole library of my favorite books. Since I fly back and forth between Europe and the United States quite a lot, I don’t have to worry anymore about packing the right kind of books, filling up my suitcase with paper- or hardbacks. I just grab my Kindle and take my library with me.
Aside from the convenience, I want to support ebooks because of all the new opportunities they offer both writers and readers. An author can now publish a book and make it available to readers in very convenient and easy way without having to bother with agents and publishers. This is not meant to discredit agents and/or publishers. They still provide a valuable service. However, with the recession and focus of large publishing houses almost exclusively on bestsellers, we midlist writers now have an opportunity as well.
Now, having sung the praise of ebooks, I am by no means ready to abandon paper versions. The other day, I went through my bookshelves and pulled out a few of my favorite hard covers and paper books, lovingly touching and smelling them, admiring the careful binding and the tasteful cover. As I was working on this blog post, I happened to watch a program on TV on the art of bookbinding, a craft, which has its origins in the fifteenth century with the invention of the printing press. What is amazing is the fact that the traditional craft has managed to survive the change from handmade to mechanized and mass-produced books. And I think it will survive, in small workshops, the onslaught of ebooks as well. Ebooks may have an impact on the mass-produced paper books but it probably won’t affect those specialized bookbinding workshops as much.
In fact, I think that the more ebooks there will be, the more popular they become, there will also be a renewed desire and yearning for the “old-fashioned” paper versions, not the cheaply produced ones so much as the special editions, the classic first editions, as well as art books. It will be a niche industry, focusing more on restoring old works than producing new ones, but it will be lovingly supported by people for whom books aren’t only content but also form, shape, color, paper, glue.
The electronic world is here to stay, but it will not replace or do away with the “stone-and-mortar” or “paper-and-paint” world. Those two realms of reality will co-exist. After all, so far computer art has not replaced paper drawings and paintings on canvas. Sure, some bookstores will disappear, book-binding and creation will become even more of a “niche”-craft. However, I do not think, human beings are ready (or will ever be ready) to live in a totally digital world. We are mental/emotional but also physical beings and we need to satisfy all our senses and abilities, or we impoverish and diminish ourselves.
Saturday, November 6, 2010
Electronic AND Paper Books not Electronic VERSUS Paper Books
Labels: ebooks paper books art craft
Christa Polkinhorn, originally from Switzerland, lives and works as writer and translator in the Los Angeles area, California. She divides her time between the United States and Switzerland and has strong ties to both countries. She is the author of five novels and a collection of poems. Her travels and her interest in foreign cultures inform her work and her novels take place in several countries. Aside from writing and traveling, she is an avid reader and a lover of the arts, dark chocolate, and red wine.